Tomor­row is the best Day of my Life

What puts a body in a sta­te of vul­nera­bi­li­ty, sur­ren­der, or resistance?

By dis­sec­ting emo­ti­ons through actions, this new work by thea­ter maker Yara Bou Nas­sar, embo­dies moments of fra­gi­li­ty and resis­tance that are expe­ri­en­ced in pri­va­te or public spaces.

The per­for­mance emer­ges from a deco­n­struc­tion of habits, memo­ries, and obses­si­ons asso­cia­ted with rela­ti­ons­hip dyna­mics and trau­ma. The text takes us through frag­ments of ever­y­day beha­vi­or, coping mecha­nisms, and encoun­ters that echo wit­hin us beco­m­ing a part of our iden­ti­ty. By revi­si­t­ing the per­so­nal fami­ly archi­ve, the work expo­ses inti­ma­te impul­ses car­ri­ed from child­hood to adult­hood. It also ques­ti­ons the legi­ti­ma­cy of pre­ser­ving memo­ries through images and the trans­for­ma­ti­on of the pri­va­te space in war­ti­me and crisis.

Lan­guage: Ara­bic with sub­tit­les (D/E)


Sup­por­ted by: AFAC (The Arab Fund for Arts and Cul­tu­re), Cul­tu­re Resour­ce (Al-Maw­red Al-Tha­qafy), Schwei­ze­ri­sche Bot­schaft im Liba­non, SüdKulturFonds

Part­ner: Fab­ri­que de Thé­ât­re (Bas­tia, Fran­ce), Ham­ma­na Artist House (Ham­ma­na, Leba­non), Amal­gam (Bei­rut, Lebanon)

In col­la­bo­ra­ti­on with: workspacebrussels

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By and with:

Yara Bou Nas­sar, Hana­ne El-Dira­ni, Paed Con­ca, Elie Youssef


Text & Direc­tion: Yara Bou Nassar 

Per­for­mance: Yara Bou Nas­sar, Hana­ne El-Dira­ni, Paed Con­ca, Elie Youssef 

Cho­reo­gra­phy: Khou­loud Yassine 

Video: Madon­na Adib 

Music & Com­po­si­ti­on: Paed Conca

Sta­ge & Light­de­sign: Lau­ra Knüsel

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